GEMMA BEN-ARY
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ABOVE: The Abyss, oyster shells, polymer clay, glass eyes. From the exhibition Lust for Lustre, ​Ellenbrook Arts, 2020.
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ABOVE: Polystyrene Promises, Polystyrene, grey acrylic paint, sand, 1780mm height x 2400mm length x 550mm depth, 2011.
​At the Melody Smith Gallery, from the exhibition, Love, Honor, Obey, ​2011.
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ABOVE: Conversation Piece, in collaboration with Mandy Harwood. From the exhibition Immaterial, Spectrum Project Space, ECU.
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 ABOVE: Gutfull, a small sculpture woven from pig's intestines.
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​ABOVE: Attempt at Rehab IV. Woven aerial maps, dryandra leaves.​

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ABOVE: Attempt at Rehab I. Woven aerial maps, emu feathers, paper.​
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ABOVE: Attempt at Rehab I, woven aerial maps, gold leaf. 2023
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ABOVE: Gutfull II, (detail) ​woven pig's intestines. ​

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ABOVE: Precious Ubiquitous. Raffia, kitchen twine, gold threads.
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ABOVE: Liver and Lyme. Horse-hair, twine, home-made rope, leather, antique steel bit from Lyme Regis, Dorset.
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ABOVE: Things Change. 
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ABOVE: It's OK to be potent. Mixed media, including horse-hair, aluminium sheet, polymer clay, Xanthorea resin, snake skin, carved bones, lace.
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ABOVE: Windsweepers, broom-sticks, pine poles, spinning mechanisms, displayed at Sculpture at Bathers, 2022.
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Bridle Veil II, tulle, leather, 2011
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Bridle Veil I, tulle, leather, 2011
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Bridle Veil III, tulle and leather, 2011
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Husband Catcher II, Faux blond hair, diamantes, kitchen sieve, and garter strap. 2011.
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Husband Catcher I Faux auburn hair, mirror, faux pearls and silk rose. 2011
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'Obey', stainless steel and diamante spur, black fondant icing sugar, 2011
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Manicure, cake blanks, fondant icing sugar, acrylic nails, 2011
PictureOwl Man, fondue cement, life sized, 2008

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Cello Lady, a sculpture intended for burning. 2008.
Parade day with the artists, from left to right: Gemma Ben-Ary, Rizzy, Natalie Williamson and Kelli Trinidad.
On our way to burn at Russel Square, part of the Northbridge Festival, 2008.
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