ABOVE: The Abyss, oyster shells, polymer clay, glass eyes. From the exhibition Lust for Lustre, Ellenbrook Arts, 2020.
ABOVE: Polystyrene Promises, Polystyrene, grey acrylic paint, sand, 1780mm height x 2400mm length x 550mm depth, 2011.
At the Melody Smith Gallery, from the exhibition, Love, Honor, Obey, 2011.
At the Melody Smith Gallery, from the exhibition, Love, Honor, Obey, 2011.
ABOVE: Conversation Piece, in collaboration with Mandy Harwood. From the exhibition Immaterial, Spectrum Project Space, ECU.
ABOVE: Gutfull, a small sculpture woven from pig's intestines.

ABOVE: Attempt at Rehab IV. Woven aerial maps, dryandra leaves.
ABOVE: Attempt at Rehab I. Woven aerial maps, emu feathers, paper.
ABOVE: Attempt at Rehab I, woven aerial maps, gold leaf. 2023

ABOVE: Gutfull II, (detail) woven pig's intestines.
ABOVE: Precious Ubiquitous. Raffia, kitchen twine, gold threads.
ABOVE: Liver and Lyme. Horse-hair, twine, home-made rope, leather, antique steel bit from Lyme Regis, Dorset.
ABOVE: Things Change.
ABOVE: It's OK to be potent. Mixed media, including horse-hair, aluminium sheet, polymer clay, Xanthorea resin, snake skin, carved bones, lace.
ABOVE: Windsweepers, broom-sticks, pine poles, spinning mechanisms, displayed at Sculpture at Bathers, 2022.
'Obey', stainless steel and diamante spur, black fondant icing sugar, 2011

Cello Lady, a sculpture intended for burning. 2008.
Parade day with the artists, from left to right: Gemma Ben-Ary, Rizzy, Natalie Williamson and Kelli Trinidad.
On our way to burn at Russel Square, part of the Northbridge Festival, 2008.
Parade day with the artists, from left to right: Gemma Ben-Ary, Rizzy, Natalie Williamson and Kelli Trinidad.
On our way to burn at Russel Square, part of the Northbridge Festival, 2008.